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Grateful Dead Live at Jai-Alai Fronton on 1974-06-22




Set 1: Promised Land, Bertha > Greatest Story Ever Told, Deal, Me And Bobby McGee, Scarlet Begonias, Jack Straw, Loose Lucy, Mexicali Blues, Sugaree, The Race is On, It Must Have Been The Roses, Playing In The Band

Set 2: China Cat Sunflower > I Know You Rider, Me & My Uncle, Ship of Fools, El Paso, Eyes Of The World > Wharf Rat > Sugar Magnolia

E: Johnny B. Goode


Collection GratefulDead
Band/Artist Grateful Dead
Venue Jai-Alai Fronton
Location Miami, FL

Source SBD (shnid 90200) + AUD (SHNID 105825)
Lineage (FLAC24 & FLAC16>AIFF>Final Cut>WAV>FLAC24)
Transferred by Hunter Seamons

Notes

SBD transferred by Charlie Miller
AUD recorded by Jerry Moore and transferred by Rob Berger

Reviews

Reviewer: timjuckmann - - February 5, 2014
Subject: styles upon styles
At about the 14:00 mark during "Playing in the Band" it suddenly sounds like Miles Davis' early 70's funk period. A few minutes later it sounds like Pink Floyd circa "Ummagumma."

"bound to cover just a little more ground" indeed.

Very strong show.
Reviewer: Sedula - - March 11, 2010
Subject: Great Show
This is a great show, but unfortunately it will always be overshadowed by the other night at the Jai-alai fronton (the Dark Star-->Spanish Jam-->US Blues night). Only extended jams this night were on Playin' and Eyes, but the song selection was very good.
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Matthew Vernon
on 3/11/2010
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884
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Source: Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded by Bob Morris
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Source: source: (3)audio technica atm11 fob> optimus> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
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Source: AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90s, with no Dolby. Set up to the right (stage left) of the SBD.
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Source: nak 300 mics > sony d-6 > mac
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Source: Set 1 Source: Schoeps CMC4/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB;
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Source: Source:Sony D6 Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-WE325 Home Cassette Deck(Playback)>Harmon Kardon CDR 20 Home Burner>CDR>EAC>Flac. Taped By Boeditaper
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Source: Master Audience Recorded By Mr. Darby; AKGC460B/A60/CK1's (PAS/DFC/First Row OTS/6 Feet High)> Uher340>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
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Source: Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90) Taper Section 5, Row O, Seat 14
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Source: 2x Sennheiser 441's > Sony TCD5-M > Maxell MX
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Source: DTS-Audio-CD 5.1 Mix; SBD (shnid=18249) BD>MC>D> seeded to etree by bubba420 + AUD (shn id 121191) MAC; (FOB) Sennheiser 441's > Sony D5 > Sony D5 > 2 x TDK MA 90; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (@24/88.2)> Lynx AES16> WaveLab 6.10> .wav (@24/88.2)> WaveLab editing/mastering with UAD-1 in 24/88.2> r8brain PRO> .wav @16/44.1> CD Wave Editor> TLH> flac16(level eight)> Tag&Rename(metadata). Taped by Davey Meade Transferred, edited and mastered by Alex Ford. - DTS mixing by Kevin Tobin